Thelema and Astral Planes
Man is ignorant of the nature of his own being and powers.
Even his idea of his limitations is based on experience of the past,
and every step in his progress extends his empire.
There is therefore no reason to assign theoretical
limits to what he may be, or what he may do.
Aleister Crowley, Magick in Theory and Practice
Within the human body is another body of approximately the same size and shape, but made of a subtler and less illusory material.
It is of course not "real"; but then no more is the other body!
Aleister Crowley, Confessions
Note on the nature of the astral body and planeExtract from “Magick in Theory
and Practice”- Aleister Crowley (1875-1947)*
The relation of that body with your own must be exceedingly intimate; but before this harmonizing takes place, you should begin by
a careful differentiation. The first thing to do, therefore, is to get the body outside your own. To avoid muddling the two, you begin by
imagining a shape resembling yourself standing in front of you. Do not say: "Oh, it's only imagination!" The time to test that is later on,
when you have secured a fairly clear mental image of such a body. Try to imagine how your own body would look if you were standing in its
place; try to transfer your consciousness to the Body of Light. Your own body has its eyes shut. Use the eyes of the Body of Light to
describe the objects in the room behind you. Don't say. "It's only an effort of subconscious memory" ... the time to test that is later
on.
As soon as you feel more or less at home in the fine body, let it rise in the air. Keep on feeling the sense of rising; keep on
looking about you as you rise until you see landscapes or beings of the astral plane. Such have a quality all their own. They are not like
material things --- they are not like mental pictures --- they seem to lie between the two.
After some practice has made you adept, so that in the course of any hour's journey you can reckon on having a fairly eventful
time, turn your attention to reaching a definite place on the astral plane.
You may also try "rising on the planes".
With a little practice [...] you ought to be able to slip in and out of your astral body as easily as you slip in and out of a
dressing-gown. It will then no longer be so necessary for your astral body to be sent far off; without moving an inch you will be able to
"turn on" its eyes and ears --- as simply as the man with the microscope (mentioned above) can transfer his complete attention from one eye
to the other.
To sum up, the first task is to separate the astral form from the physical body, the second to develop the powers of the astral
body, in particular those of sight, travel, and interpretation; third, to unify the two bodies without muddling them.
This being accomplished, the magician is fitted to deal with the invisible.
It is now useful to continue with considerations of other planes, which have commonly been classed under the Astral. There is some
reason for this, as the delimitations are somewhat vague. Just as the vegetable kingdom merges into the animal, and as the material plane
has beings which encroach upon the boundaries of the astral, so do we find it in the higher planes.
The spiritual planes are of several types, but are all distinguished by a reality and intensity to be found nowhere else. Their
inhabitants are formless, free of space and time, and distinguished by incomparable brilliance.
There are also a number of sub-planes, as, for example, the Alchemical. This plane will often appear in the practice of "Rising on
the Planes"; its images are usually those of gardens curiously kept, mountains furnished with peculiar symbols, hieroglyphic
animals...
The Body of Light must be rendered capable of going everywhere and doing everything. It is, therefore, always the question of
drill which is of importance. You have got to go out Rising on the Planes every day of your life, year after year. You are not to be
disheartened by failure, or too much encouraged by success, in any one practice or set of practices. What you are doing is what will be of
real value to you in the end; and that is, developing a character, creating a Karma, which will give you the power to do your
will.
What are "Astral" and "Spiritual Beings"?
Man is one: it is a case of any consciousness assuming a sensible form.
Microcosms and elementals. Maybe an elemental (e.g. a dog) has a cosmic conception in which he is a microcosm and man incomplete.
No means of deciding same, as in case of kinds of space.
Similarly, our gross matter may appear unreal to Beings clad in fine matter. Thus, science thinks vulgar perceptions "error". We
cannot perceive at all except within our gamut; as, concentrated perfumes, which seem malodorous, and time-hidden facts, such as the vanes
of a revolving fan, which flies can distinguish.
Hence: no a priori reason to deny the existence of conscious intelligences with insensible bodies. Indeed we know of
other orders of mind (flies, etc., possibly vegetables) thinking by means of non-human brain-structures.
But the fundamental problem of Religion is this:
Is there any praeter-human Intelligence, of the same order as our own, which is not dependent on cerebral structures consisting of matter
in the vulgar sense of the word?
"Matter" includes all that is movable. Thus, electric waves are "matter". There is no reason to deny the existence of Beings who
perceive by other means those subtle forces which we only perceive by our instruments.
We can influence other Beings, conscious or no, as lion-tamers, gardeners, etc., and are influenced by them, as by storms,
bacilli, etc.
There is an apparent gap between our senses and their correspondences in consciousness. Theory needs a medium to join matter and
spirit, just as physics once needed an "ether" to transmit and transmute vibrations.
We may consider all beings as parts of ourselves, but it is more convenient to regard them as independent.
"Astral" Beings possess knowledge and power of a different kind from our own; their "universe" is presumably of a different kind
from ours, in some respects. (Our idea "bone" is not the same as a dog's; a short-sighted man sees things differently to one of normal
vision.) It is more convenient to assume the objective existence of an "Angel" who gives us new knowledge than to allege that
our invocation has awakened a supernormal power in ourselves.
"Astral" Beings may thus be defined in the same way as "material objects"; they are the Unknown Causes of various observed
effects. They may be of any order of existence.
Every object soever may be considered as possessed of an "Astral shape", sensible to our subtle perceptions. This "astral shape"
is to its material basis as our human character is to our physical appearance. We may imagine this astral shape: e.g. we may "see" a jar of
opium as a soft seductive woman with a cruel smile, just as we see in the face of a cunning and dishonest man the features of some animal,
such as a fox.
The variety of the general character of the "planes" of being is indefinitely large. But there are several main types of symbolism
corresponding to the forms of plastic presentation established by the minds of Mankind. Each such "plane" has its special appearances,
inhabitants, and laws --- special cases of the general proposition.
On the higher planes, the diversity of form, due to grossness, tends to disappear.
Each "plane" is a veil of the one above it; the original individual Ideas become diversified as they express their elements. Two
men with almost identical ideas on a subject would write two totally different treatises upon it.
Each and every man therefore that will be a Magician
must explore the Universe for himself. This is pre-eminently the case in the matter of the Astral Plane, because the symbols are so sensitive.
Nothing is easier than to suggest visions, or to fashion phantasms to suit one's ideas. It is obviously impossible to communicate with an
independent intelligence --- the one real object of astral research --- if one allows one's imagination to surround one with courtiers of one's
own creation.
* Magick is a spelling of magic, used by Aleister
Crowley in order to distinguish the Science of the Magi from all its
counterfeits.
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